EMERGING ARTISTS: WESTERN AND UKRAINIAN APPROACHES AND CRITERIA FOR DEFINITION

Authors

  • Katerуna Levchenko

DOI:

https://doi.org/10.32782/2411-3034-2023-34-15

Keywords:

emerging artist, contemporary art, terminology, debut.

Abstract

Abstract. Contemporary art studies face the challenge of defining the concept of "emerging artist" in the Ukrainian context, which differs from Western artistic traditions. This article investigates the terminological approaches to the notion of an "emerging artist" and their impact on the development of contemporary art in Ukraine. Based on literary analysis, empirical data, and a comparative analysis with Western approaches, the article identifies differences in the understanding of this concept and highlights the necessity of establishing clear criteria and terminological boundaries for "young artists" in Ukrainian art. The research results enable the formulation of practical recommendations for creating a support and development system for young artists in Ukraine. This will contribute to the development of contemporary Ukrainian art and its integration into the international art context. The methodology of the research is based on an interdisciplinary approach, involving the analysis, comparison, and synthesis of information from various sources. Key findings of the study suggest that the Ukrainian art environment has its specific features in understanding and defining an "emerging artist". When devising strategies for supporting and developing contemporary art in the country, it is essential to consider the achievements of Western art studies. Establishing clear criteria and terminological boundaries for this concept will facilitate the more effective integration of emerging Ukrainian artists into the international art context and promote their potential as creative individuals capable of reimagining and transforming traditional artistic forms in accordance with contemporary demands.

References

The Jerome Foundation. Minnesota, New York City, USA. 2017. URL: https:// www.jeromefdn.org/apply/composer-soundartist/definition-emerging-artist (дата звернення: 21.04.2018.).

Про стипендії Президента України для молодих письменників і митців у сфері музичного, театрального, образотворчого, хореографічного, естрадно-циркового мистецтва та кіномистецтва : Указ Президента України від 21.01.2022. Законодавство України. URL: https://zakon.rada.gov.ua/laws/show/13/2018#Text (дата звернення: 01.03.2021).

Шумська Я. Сучасне мистецтво молодих митців України та Польщі. Вісник Львівської національної академії мистецтв. 2013. № 24. С. 134–146.

Сидор-Гібелінда О. Білий простір свободи або Сюжет для маленького оповідання. Art Ukraine. 2016. URL: https://artukraine.com.ua/a/biliy-prostir-svobodi-abo-syuzhet-dlya-malenkogoopovidannya/ (дата звернення: 01.09.2023).

Юр М. Авторська картина світу молодих українських митців: cоціокультурний контекст. Сучасне мистецтво. 2015. Вип. 11. С. 280–287. URL: http://nbuv.gov.ua/UJRN/S_myst_2015_11_41 (дата звернення: 01.06.2022).

Lee S. H., Lee W. J. Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London. The Journal of Arts Management. Law and Society. 2016. No 46. P. 95–106.

Komarova N., Velthuis O. Local contexts as activation mechanisms of market development: contemporary art in emerging markets. Consumption Markets & Culture. 2018. № 1. P. 21.

Petrides L., Fernandes A. The successful visual artist: the building blocks of artistic careers model. The Journal of Arts Management. Law, and Society. 2020. Vol. 50, No. 6. P. 305–318.

Lee B., Fraser I., Fillis I. Creative futures for new contemporary artists: opportunities and barriers. International Journal of Arts Management. 2018. Vol. 20, No. 2, P. 9–19.

Ball L., Pollard E., Stanley N. Creative Graduates Creative Futures. Institute for Employment Studies. 2010. P. 1–16.

Murray L. J., Piper T. S., Robertson K. Putting Intellectual Property in Its Place: Rights Discourses, Creative Labor, and the Everyday. OUP USA. 2014. 31 p.

Honey S., Heron P., Jackson C. Career Paths of Visual Artists. Arts Council England. London, 1997. No. 11. P. 9–19.

Cambridge Dictionary. URL: https://dictionary.cambridge.org/ (дата звернення: 02.08.2021).

Arts Council England. TBR’s Creative & Cultural Team. Livelihoods of Visual Artists. Arts Council England. 2018. No. 1. P. 1–30.

Blanche, R. Mapping the Visual Arts in Scotland: Survey of Organisations in the Visual Arts Sector in Scotland. Scottish Contemporary Art Network (SCAN) & Creative Scotland. Glasgow, 2015. No. 10. P. 1–15.

Arts Council England. A Strategy for the Contemporary Visual Arts in England. Arts Council England. 2006. No. 10. P. 1–47.

Taylor S., Littleton K. Artwork or money: conflicts in the construction of a creative identity”. The Sociological Review. 2018. Vol. 56, No. 2. P. 275–292.

Lee B., Fillis I., Lehman, K. Art, science and organizational interactions: exploring the value of artist residencies on campus. Journal of Business Research. 2018. Vol. 85. P. 444–451.

Lehikoinen K. Setting the context: expanding professionalism in the arts–a paradigm shift ? Careers in the Arts: Visions for the Future / B. Revelli, S.B. Florander (Eds). Amsterdam: ELIA, 2018. P. 16–30.

Published

2024-02-06