HOUSE OF VLADIMIR CHUBUK-PODOLSK BY ARCHITECT VASILY KRYCHEVSKY IN PEREYASLAV: STUDY FEATURES, WAYS OF PRESERVATION AND REHABILITATION

Abstract

Abstract. The purpose of the article is to determine the sources and peculiarities of the application of patterns of Ukrainian identity in the project of the house of Vladimir Chubuka-Podolsky in Pereyaslav by Vasyl Krychevsky, as a tool for research and rehabilitation of this object. Methods. The work uses a set of methods, such as: analysis and systematization of scientific literature, in-situ survey and graphic processing of research objects, collection of actual (verbal and visual) data and systematization of in-situ surveys, analysis of project, iconographic, and textual sources, comparative analysis of architectural concepts. Historical-comparative, historical-genetic and iconographical ones are also used, which are mainly used during the study of architecture of the 20th century. Results. The latest research and publications on the object of study are analyzed. The volume-spatial structure, plasticity and decor of the object of study are presented as elements and signs of patterns of Ukrainian identity, identified by the author of the project in the Ukrainian traditional context. It is determined that the main types of Ukrainian traditional housing are the source of Ukrainian identity. As a generalized prototype, it is distinguished from traditional Ukrainian accommodation a specific type of house, called khata. It is noted that in the 1920s under the influence of socio-political transformations in the architectural objects by Krichevsky there is an evolution towards rationality and functionality while maintaining folk style originality. The ways of preservation and rehabilitation of the object are introduced. The nature of the restoration measures will depend on the results of comprehensive pre-project studies and possible options for the further functional use of the object. The primary task is the preservation of authentic material substance of the listed building. The secondary task is to reveal the hidden and lost features of facade plastics.