METHODOLOGY AND CLASSIFICATION OF OLEG SNARSKY’S CROSS-SCRIPT TYPE STYLIZATION

Abstract

The article systematizes the methodology and classification of cross-script type stylization in Oleg Snarsky’s practice as a specific approach distinct from multi-script typeface design. Cross-script stylization is defined here as Cyrillic letterforms that remain readable in Ukrainian while visually alluding to another writing tradition. The study outlines core principles: preserving the Cyrillic graphemic skeleton, transferring key markers of the target script (ductus, rhythm, module, contrast, terminals, diacritics), and prioritizing readability over ornament. Historical precedents and contemporary challenges of global communication are considered, with attention to ethical risks such as cultural appropriation, stereotyping, and othering. Methods. Terminological clarification; formal and comparative analysis of letterforms; classification by key parameters; cultural and ethical assessment of appropriateness; reconstructive and experimental procedures including sketching and readability testing. Results. The definition and criteria of Cyrillic cross-script stylization are refined. A classification framework for Snarsky’s stylizations and a step-by-step method for their analysis and reconstruction are proposed. Conclusions. Cross-script stylization is a complex process requiring a balance between formal borrowing, readability, and cultural responsibility. Snarsky’s work demonstrates a systematic, practice-oriented model applica ble to contemporary display typography.