No. 34 (2023): Ukrainian Academy of Arts

Статті

• HOUSE OF VLADIMIR CHUBUK-PODOLSK BY ARCHITECT VASILY KRYCHEVSKY IN PEREYASLAV: STUDY FEATURES, WAYS OF PRESERVATION AND REHABILITATION

  Denys Vitchenko

  9-14

  • PDF (Українська)

• LOCATION OF ART MUSEUMS (GALLERIES) IN THE HISTORICAL AND CULTURAL ENVIRONMENT OF THE CITY

  Orest Hirnyi

  15-23

  • PDF (Українська)

• EXPERIENCE OF RECOVERY OF DAMAGED HOUSING IN HISTORIC EUROPEAN CITIES AFTER THE SECOND WORLD WAR

  Yevheniia Demeshkant

  24-30

  • PDF (Українська)

• HISTORIC RESIDENTIAL BUILDING IN THE CENTER OF KYIV: MONUMENT PROTECTION ASPECT

  Leonid Prybiega, Iryna Zhezherina, Anastasia Huchenko

  31-39

  • PDF (Українська)

• KYIV REGION HISTORICAL RURAL SETTLEMENTS AND THEIR HISTORICAL AND CULTURAL SIGNIFICANCE

  Oleksii Radzei

  40-45

  • PDF (Українська)

• PRINCIPLES OF ARCHITECTURAL DESIGN MEDICAL INSTITUTIONS BASED ON FOREIGN EXPERIENCE

  Vladyslav Radchenko

  46-52

  • PDF (Українська)

• SEMIOTIC ANALYSIS OF THE ARCHITECTURAL ENVIRONMENT BASED ON THE METHOD OF BUILDING A FILM SCREEN

  Olena Troshkina

  53-61

  • PDF (Українська)

• ESTONIAN NATIONAL MUSEUM: THE EXPERIENCE OF FORMING NATIONAL IDENTITY BY MEANS OF CULTURAL HERITAGE PRESERVATION

  Hanna Andres, Olena Derevska

  62-70

  • PDF (Українська)

• THE INFLUENCE OF DUNHUANG FRESCO ON THE OIL PAINTING OF CHINA OF THE ХХ CENTURY

  Wang Shiru, Olha Denysiuk

  71-76

  • PDF (Українська)

• CREATIVE INNOVATIONS IN THE COMMEMORATIVE PLAQUES OF KYIV AT THE END OF THE 20TH – BEGINNING OF THE 21TH CENTURY

  Kostiantyn Dobrianskyi

  77-84

  • PDF (Українська)

• AESTHETIC COMPONENTS OF THE UKRAINIAN NATIONAL STYLE OF FORMATION AND DECORATION

  Alla Dyachenko

  85-91

  • PDF (Українська)

• BASIC SKILLS OF HANDWRITING IN THE PROJECT WORK OF GRAPHIC DESIGN STUDENTS

  Oksana Zdor, Nataliia Balabukha, Valerii Tykhoniuk

  92-100

  • PDF (Українська)

• UKRAINIAN FINE ART OF THE 1920S–1930S AS THE FIRST MANIFESTATION OF CULTURAL DIPLOMACY BETWEEN UKRAINE AND FRANCE

  Anna Kadkalo, Hanna Andres

  101-108

  • PDF (Українська)

• STAINED GLASS FROM THE 1970S-1990S IN TRANSCARPATHIA

  Yurii Kopanskyi

  109-113

  • PDF (Українська)

• EMERGING ARTISTS: WESTERN AND UKRAINIAN APPROACHES AND CRITERIA FOR DEFINITION

  Katerуna Levchenko

  114-119

  • PDF (Українська)

• REPLENISHMENT OF THE COLLECTION OF CABINET OF PLASTIC ANATOMY OF THE NAFAA WITH OSTEOLOGICAL MATERIALS FROM THE FUNDS OF THE INSTITUTE OF ARCHEOLOGY OF THE NAS OF UKRAINE

  Anastasiia Melnychuk, Andrii Yakovenko

  120-126

  • PDF (Українська)

• THE ROLE OF MOUNTS IN RESTORATION OF APPLIED ART MOVABLE HERITAGE

  Savva Mostovyi, Iryna Lastovkina, Iryna Rozenberh

  127-134

  • PDF (Українська)

• SCULPTURE SERIES “THE GALLANT CENTURY” BY NATALIA MUDRUK

  Oleksiy Ovcharenko, Olga Shpanko

  135-143

  • PDF (Українська)

• THE EVOLUTION OF UKRAINIAN BANKNOTES IN THE 20TH – AT THE BEGINNING OF THE 21ST CENTURY: STYLE AND ARTISTIC FEATURES

  Volodymyr Petrashyk, Viktoriia Pylypchuk

  144-151

  • PDF (Українська)

• WEB RESOURCE ON COLOURISTICS FOR MODERN ART EDUCATION

  Svitlana Pryshchenko

  152-159

  • PDF (Українська)

• GRAPHIC WORKS OF OLEKSANDR BOHOMAZOV AS AN EXAMPLE OF SYMBOLISM IN UKRAINIAN VISUAL ARTS AT THE BEGINNING OF THE 20TH CENTURY

  Anna Puzyrkova

  160-167

  • PDF (Українська)

• THE FRENCH PERIOD IN THE WORK OF A. ERDELYI (1929–1930): CREATIVE STUDIES AND STYLISTIC FEATURES

  Anastasiia Seitasanova

  168-175

  • PDF (Українська)

• WOMEN’S IMAGES IN THE ART WORKS OF ZOIA LERMAN

  Maryna Tereshchenko

  176-183

  • PDF (Українська)

• RESTITUTION OF THE CULTURAL HERITAGE IN UKRAINE IN THE PERIOD 2000–2023

  Marharyta Tupchii, Hanna Andres

  184-191

  • PDF (Українська)

• NEED TO STUDY THE BASICS OF INTELLECTUAL PROPERTY AND COPYRIGHT IN ART INSTITUTIONS OF HIGHER EDUCATION

  Oleksandr Tsugorka

  192-199

  • PDF (Українська)

• THE INFLUENCE OF AUGMENTED REALITY TECHNOLOGIES ON THE ORGANIZATION OF THE EXHIBITION SPACE OF WORKS OF SCULPTURE

  Serhiy Shcherbakov, Natalia Revenok

  200-206

  • PDF (Українська)