No. 5 (2026): Bulletin of the National Academy of Fine Arts and Architecture

DOI: https://doi.org/10.32782/naoma-bulletin-2026-1

Published: 2026-04-27

Full Issue

Завантажити номер одним файлом (Українська)

ARCHITECTURE

PRACTICAL WAYS TO DEVELOP TRAM AND PEDESTRIAN ZONES IN THE CENTRAL PART OF THE CITY OF KYIV

Oleksiy Boborykin, Anastasiia Doiar

7-17
- PDF (Українська)
CLASSIFICATION OF ARTIFICIAL INTELLIGENCE TOOLS IN ARCHITECTURE. RESPONSIBLE AND SUSTAINABLE DIMENSION

Nataliia Vergunova

18-29
- PDF (Українська)
AMERICAN ART MUSEUM OF THE 20TH–21ST CENTURIES AS A LABORATORY OF NEW SPATIAL SCENARIOS

Orest Hirnyi

30-38
- PDF (Українська)
PRINCIPLES OF FORMATION OF THE INTERNAL COURTYARD (PATIO) ENVIRONMENT BY MEANS OF LANDSCAPE DESIGN IN BLOCK RESIDENTIAL DEVELOPMENT

Andrii Honcharyk

39-46
- PDF (Українська)
POST-SOCIALIST TRANSFORMATIONS OF OSTRAVA-PORUBA: CONFIGURATIONS OF AGENCY AND INSTRUMENTS OF INFLUENCE IN THE URBAN ENVIRONMENT

Kateryna Didenko, Olena Gella

47-60
- PDF (Українська)
HISTORIOGRAPHICAL ASPECT OF THE FORMATION OF MEMORIAL AND FUNERARY COMPLEXES IN THE TERRITORY OF UKRAINE

Anton Zbarskyi

61-72
- PDF (Українська)
URBAN SPACE FORMATION IN THE CONTEXT OF INTEGRATING PHYSICAL CULTURE AND SPORTS COMPLEXES INTO RESIDENTIAL AREAS

Serhii Kovalchuk

73-81
- PDF (Українська)
NORMATIVE UNCERTAINTY IN THE RESTORATION OF SMALL ARCHITECTURAL FORMS WITH HYDRO-TECHNICAL FUNCTIONS

Viktor Magalias

82-89
- PDF (Українська)
PRESERVATION AND REGENERATION OF TRADITIONAL WOODEN BUILDING IN THE KYIV REGION

Olena Oliynyk

90-99
- PDF (Українська)
THE OBJECT AND THE SUBJECT OF PROTECTION IN ARCHITECTURAL HERITAGE STUDIES AND CONSERVATION METHODOLOGY (BASED ON THE EXAMPLE OF AN ARCHITECTURAL MONUMENT AND AN URBAN PLANNING MONUMENT)

Leonid Prybieha

100-109
- PDF (Українська)
THE ROLE OF HISTORICAL AND ARCHITECTURAL HERITAGE IN THE CLASSIFICATION AND SUSTAINABLE DEVELOPMENT OF MERGED TERRITORIAL COMMUNITIES

Oleksii Radzei

110-118
- PDF (Українська)
DRAMATURGY OF ARCHITECTURAL SPACE OF THE CITY: VISUAL AND COMPOSITION MECHANISMS OF FORMING PERCEPTION

Olena Troshkina

119-135
- PDF (Українська)

ART HISTORY

UKRAINIAN ART DURING WAR: KEY TRANSFORMATION TRENDS AND THE NEW ROLE OF THE ARTIST

Oleksandr Antoniuk

136-143
- PDF (Українська)
LETTERING AS A MEANS OF COMMUNICATION. LETTER GRAPHICS IN AN AUTHOR’S CALENDAR

Nataliia Balabukha, Oksana Zdor, Kateryna Radko

144-153
- PDF (Українська)
THE PSYCHOLOGY OF COLOR AND PATINA IN SCULPTURE IN CONTEMPORARY SMALL PLASTICS: INNOVATIVE METHODS OF IMAGE FORMATION

Igor Glukhenkij

154-159
- PDF
THE СURATORIAL STRATEGIES IN THE EXHIBITION PRACTICES OF UKRAINIAN DECORATIVE AND APPLIED ARTS ABROAD

Alla Dyachenko

160-167
- PDF (Українська)
HOLODOMOR IN THE LIFE AND WORK OF THE ARTIST MYKHAILO DMYTRENKO

Аndriy Ivanets

168-182
- PDF (Українська)
PRACTICAL COMPOSITION OF TRAINING OF RESTORERS-ARTISTS ON THE EXAMPLE OF SCIENTIFIC RESTORATION OF EXHIBIT MADE OF GOLD-PLATED METAL

Iryna Lastovkina

183-188
- PDF (Українська)
ARTISTIC INTERPRETATION OF EXISTENTIAL LOSSES IN UKRAINIAN PAINTING OF THE SECOND HALF OF THE TWENTIETH CENTURY

Yaroslav Leonets

189-194
- PDF (Українська)
ANATOLIY MELNYK'S ARTISTIC VISION OF THE “EXISTENCE” PROJECT

Olha Lukovska

195-201
- PDF
DETECTION OF CHLORIDES WITH SILVER NITRATE DURING THE CONSERVATION OF ARCHAEOLOGICAL IRON ARTIFACTS

Savva Mostovyi

202-209
- PDF (Українська)
UKRAINIAN 3D ARTISTS OF THE FIRST QUARTER OF THE 21ST CENTURY: CREATIVE ASPECTS OF CREATIVITY, SPECIALIZATION IN ARTISTIC PRACTICES

Lyubomyr Mulyarchuk

210-222
- PDF (Українська)
CLASSICAL AND INNOVATIVE TENDENCY IN THE LANDSCAPE GENRE IN THE CREATIVITY OFDRAWING TEACHERS OF THE NAFAA OF AT THE END OF THE 20TH – AT THE BEGINNING OF THE 21ST CENTURY

Andrii Nikitin

223-233
- PDF (Українська)
BETWEEN LIGHT AND SHADOW: SYMBOLISM AND LIMINALITY IN EDWARD HOPPER’S ART

Oleksandr Yudenko

234-240
- PDF
METHODOLOGY AND CLASSIFICATION OF OLEG SNARSKY’S CROSS-SCRIPT TYPE STYLIZATION

Dmytro Stadnychenko

241-250
- PDF (Українська)

No. 5 (2026): Bulletin of the National Academy of Fine Arts and Architecture

Full Issue

ARCHITECTURE

PRACTICAL WAYS TO DEVELOP TRAM AND PEDESTRIAN ZONES IN THE CENTRAL PART OF THE CITY OF KYIV

CLASSIFICATION OF ARTIFICIAL INTELLIGENCE TOOLS IN ARCHITECTURE. RESPONSIBLE AND SUSTAINABLE DIMENSION

AMERICAN ART MUSEUM OF THE 20TH–21ST CENTURIES AS A LABORATORY OF NEW SPATIAL SCENARIOS

PRINCIPLES OF FORMATION OF THE INTERNAL COURTYARD (PATIO) ENVIRONMENT BY MEANS OF LANDSCAPE DESIGN IN BLOCK RESIDENTIAL DEVELOPMENT

POST-SOCIALIST TRANSFORMATIONS OF OSTRAVA-PORUBA: CONFIGURATIONS OF AGENCY AND INSTRUMENTS OF INFLUENCE IN THE URBAN ENVIRONMENT

HISTORIOGRAPHICAL ASPECT OF THE FORMATION OF MEMORIAL AND FUNERARY COMPLEXES IN THE TERRITORY OF UKRAINE

URBAN SPACE FORMATION IN THE CONTEXT OF INTEGRATING PHYSICAL CULTURE AND SPORTS COMPLEXES INTO RESIDENTIAL AREAS

NORMATIVE UNCERTAINTY IN THE RESTORATION OF SMALL ARCHITECTURAL FORMS WITH HYDRO-TECHNICAL FUNCTIONS

PRESERVATION AND REGENERATION OF TRADITIONAL WOODEN BUILDING IN THE KYIV REGION

THE OBJECT AND THE SUBJECT OF PROTECTION IN ARCHITECTURAL HERITAGE STUDIES AND CONSERVATION METHODOLOGY (BASED ON THE EXAMPLE OF AN ARCHITECTURAL MONUMENT AND AN URBAN PLANNING MONUMENT)

THE ROLE OF HISTORICAL AND ARCHITECTURAL HERITAGE IN THE CLASSIFICATION AND SUSTAINABLE DEVELOPMENT OF MERGED TERRITORIAL COMMUNITIES

DRAMATURGY OF ARCHITECTURAL SPACE OF THE CITY: VISUAL AND COMPOSITION MECHANISMS OF FORMING PERCEPTION

ART HISTORY

UKRAINIAN ART DURING WAR: KEY TRANSFORMATION TRENDS AND THE NEW ROLE OF THE ARTIST

LETTERING AS A MEANS OF COMMUNICATION. LETTER GRAPHICS IN AN AUTHOR’S CALENDAR

THE PSYCHOLOGY OF COLOR AND PATINA IN SCULPTURE IN CONTEMPORARY SMALL PLASTICS: INNOVATIVE METHODS OF IMAGE FORMATION

THE СURATORIAL STRATEGIES IN THE EXHIBITION PRACTICES OF UKRAINIAN DECORATIVE AND APPLIED ARTS ABROAD

HOLODOMOR IN THE LIFE AND WORK OF THE ARTIST MYKHAILO DMYTRENKO

PRACTICAL COMPOSITION OF TRAINING OF RESTORERS-ARTISTS ON THE EXAMPLE OF SCIENTIFIC RESTORATION OF EXHIBIT MADE OF GOLD-PLATED METAL

ARTISTIC INTERPRETATION OF EXISTENTIAL LOSSES IN UKRAINIAN PAINTING OF THE SECOND HALF OF THE TWENTIETH CENTURY

ANATOLIY MELNYK'S ARTISTIC VISION OF THE “EXISTENCE” PROJECT

DETECTION OF CHLORIDES WITH SILVER NITRATE DURING THE CONSERVATION OF ARCHAEOLOGICAL IRON ARTIFACTS

UKRAINIAN 3D ARTISTS OF THE FIRST QUARTER OF THE 21ST CENTURY: CREATIVE ASPECTS OF CREATIVITY, SPECIALIZATION IN ARTISTIC PRACTICES

CLASSICAL AND INNOVATIVE TENDENCY IN THE LANDSCAPE GENRE IN THE CREATIVITY OFDRAWING TEACHERS OF THE NAFAA OF AT THE END OF THE 20TH – AT THE BEGINNING OF THE 21ST CENTURY

BETWEEN LIGHT AND SHADOW: SYMBOLISM AND LIMINALITY IN EDWARD HOPPER’S ART

METHODOLOGY AND CLASSIFICATION OF OLEG SNARSKY’S CROSS-SCRIPT TYPE STYLIZATION

Language

logo